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Watching Halloween III: Season of the Witch is like watching a filmmaker experiment with how far they can suspend and stretch the expectations of their audience before they break. It’s a profoundly weird horror film that, to paraphrase Knives Out’s Benoit Blanc, truly makes no damn sense… but compels you, though. Everything except for a dude in a William Shatner mask stalking and murdering teenagers with a knife.
Season of the Witch is a disturbing and fascinating meditation on the way goods are marketed to children, with a haunting score by John Carpenter.Īs Toussaint put it in our 2021 Halloween movies countdown:ĭirected by Tommy Lee Wallace, a longtime collaborator and friend of John Carpenter who is also the film’s sole credited screenwriter, Halloween III has it all: Stonehenge, laser beams that explode people’s faces, robots, masks that melt human flesh and conjure insects, hackneyed line readings, beer, a history lesson on the origins of Halloween, you name it.
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One of the weirder entries in the Halloween franchise, this one does not feature Michael Myers at all, instead moving the series into more of an anthology series direction that was swiftly abandoned. The Ghost and the Darkness is available to stream on Prime Video.
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They’re genuinely intimidating, even if Hopkins and Goldman do fall into the familiar man-versus-nature movie trap (also seen, frankly, in Jaws) of giving their animals human-level cunning and malice, to the point where the railroad workers’ belief that the lions are actually demons starts to make some sense. Director Stephen Hopkins uses real lions whenever possible, and apart from a few gimmicky shots using dummies, their physical interactions with fragile human bodies look realistic and graphic. Second, the sprawling, star-studded historical adventure The Ghost and the Darkness rules.Īll this character work would feel dry and literary without the movie’s pulp-thriller energy, which lays a visceral, urgent feel atop the Bridge on the River Kwai-style literary ambitions. The recent Idris Elba-led creature feature Beast got us thinking about two things: first, what a nice change of pace it is to have sharp, economical thrillers. The Adventures of Buckaroo Banzai Across the 8th Dimension is available to stream on Prime Video. When he accidentally finds himself embroiled in an alien conflict, Buckaroo and his pals must band together to save the day against the evil John Whorfin (John Lithgow, hamming it up to a delightful degree). Buckaroo Banzai (Peter Weller), a true Renaissance man: He’s a world-famous rock star, physicist, neurosurgeon, and pilot whose gravitational charisma pulls in a posse that joins him in his adventures (including a young Jeff Goldblum as “New Jersey,” a doctor who wears cowboy get-up).
That means it thrusts you right into the middle of a long-running and (slightly confusing) saga, but it all works because of the unconventional characters and story beats and the movie’s delightful sense of humor.
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You see, Buckaroo Banzai operates as if it’s in the middle of a long-running series, but it is the one and only entry (other than a follow-up book from writer Earl Mac Rauch, published in 2021). That’s a real shame, because Buckaroo Banzai is a delightfully odd movie that only gets better with time, especially as the American movie industry leans more and more heavily into franchise filmmaking. The first, the eccentric sci-fi movie Buckaroo Banzai, was self-produced and performed so poorly that Richter’s newly formed production company folded as a result. Richter (1978’s Invasion of the Body Snatchers, Big Trouble in Little China) has only directed two feature films.
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